![]() Bernard/Scotch Collie mix with a keen intelligence and adorable eyes, he’s ruling the roost of his big pastoral home in Santa Clara, California, and the way the film establishes what an innocently fearsome beast he is to have the cupboards of the kitchen shake, rattle, and roll as he bounds around the house. The film’s style, to put it bluntly, is more than a bit fake.Įarly on, when we meet Buck, a St. ![]() That’s because “The Call of the Wild,” directed by Chris Sanders (the co-director, with Dean DeBlois, of “How to Train Your Dragon” and “Lilo & Stitch”), is a semi-live-action film that nevertheless bounces along with the glibly overdone visual logic of an old Disney dog comedy from the 1960s. ![]() It was produced by 20th Century Studios, back when the company had a “Fox” in its name, but in this case there’s something almost poetically appropriate about the fact that the film is now emerging from the gates of the Disney empire. “ The Call of the Wild,” an adaptation of the Jack London classic that’s true to the spirit, if not always the letter, of the 1903 novel (which I admit, as a kid, I could never get through), is a dog movie that’s more concocted than it has any right to be.
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